Mesches of the Afternoon (M.Deren - 1943 - mute - dur.13,40 min.)
IIn an imaginary sleep different they are woven and realities are
reflected in different worldliness…
Prologue and Dismissal for soprano, harpsichord, two electronic keyboards and
piano; mouth Choir dam for female bawls, quintet of arcs and prepared piano.
La chute de l’Ange (G.B.Massin – 2005 – animation – dur. 5 min.)
An angel falls
on the earth… a deadly discovers a handbag full of powers…
The chute de the Ange for electronic instrumentation and noiseless.
Guernica (M.R.Ortiz – 2002 – animation – dur. 3,15 min.)
The existential search of a character picassiano through the works of the
pictorial surrealism.
Sequence for 13 performers and electronic tools.
Joan the Woman(C.De Mille - 1917 - mute - extract - dur. 6,51 min.) The scene
of the fire of Giovanna d'Arco reveals the grandiloquent and emphatic style
of the director americano.Didascalico and academic in the use of the crowd
inveente rejected by the spiritual calm of the protagonist as in the use of
effects film us of color (expressly conceived for this film) and of
assemblage. Sequence poliritmia for electronic instrumentation; Kyrie for choir to 4
bawls.
