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“A remarkable organist… he amazed with his extraordinarily lightness of touch, his delicacy in seeking the qualities of the sound, his profound sensitivity… Ravanello was simply wonderful… Pauletta brought to the Reubke sonata a vision that was on a par with his immense talent”
(“Centre
Presse” – “To realise the hidden qualities of this piece by Sweelinck requires a first-class organist and Pauletta proved himself to be not only a fully-prepared interpreter but also rich in real talent… His performance of Muffat was truly exceptional… he knew how to focus the right expressions in a performance that was impeccable at all times.”
(“Il
Giornale” –
“…he
tackles the great works with surprising authority and command… he demonstrated
considerable expressive talent, maintaining an interpretative style akin to the
freedom of improvisation”
(“La
Nouvelle République” –
“…he
interpreted Bach with extraordinary warmth, giving emphasis to all the forms,
with great skill, incredible technique and full mastery of the instrument…
Pauletta is an exceptional artist who interprets Reger with disturbing ease…
In Pauletta, Reger has found the sought-after artist capable of realising such
feats” (“Centre Presse” – 11/8/1998)
“From
the marvellous architectures of Bach to the metaphysical ice of Reger, Pauletta
demonstrates consciousness of style, and remarkable interpretative emotion”
(“Il
Gazzettino” –
“He
is widely recognised as an organist of considerable technical mastery with a
deep understanding of his instrument”
(“La
Nuova Venezia” –
“Without
doubt an interesting musician, with a solid and polished technique and
considerable stylistic flair…
highly
elegant phrasing, attentive to the smallest details, realising the ornaments
with finesse and with varied and appropriate agogics.”
(“La
Tribuna di Treviso” –
“Pauletta
played Messiaen’s “La Pentecôte” Mass with unquestionable technical
ability and stylistic perseverance…
The
world première of “Hexachord” by E. L. Leitner, trusted to Pauletta, and
performed with rare ability, made an unforgettable impression”
(“Dolomiten”
–
“One
of the most brilliant exponents of the young Italian school of the organ”
(“La
Nouvelle République” – |